Saint Anderw the Apostile Statue

   This page documents the stages in the creation of a woodcarving of Saint Andrew the Apostle. The figure, hand-carved in basswood and standing five feet in height, is a commission for Saint Andrew the Apostle Catholic Church, located in Apex, NC.

Saint Andrew

   Andrew and his brother Simon Peter made their living as fishermen on the Sea of Galilee. Of all the Apostles, Andrew was considered the first to become a disciple of Jesus. It was Andrew that introduced Peter to Jesus. Both men became Apostles, leaving everything to follow Jesus.

   Before Jesus fed the Five Thousand, it was Andrew who said, “Here is a boy with five barley loaves and two fish, but what are these among so many?”

   Andrew accompanied Jesus during His public life and was present at the Last Supper, beheld the risen Lord, and witnessed the Ascension.

   Andrew traveled to Greece and to the City of Byzantium where he founded the Christian Church. The Roman Governor Aegeas condemned Andrew to death by crucifixion on a X-shaped cross (saltire) with his body bound to the cross upside down.

Clay model

The half-size plasteline maquette is used for taking accurate measurements to enlarge the final carving in wood.

Work in Progress

   The sculpture will be hand carved from kiln dried basswood boards glued together to create a large block of solid wood to accommodate the five foot figure. The basswood boards are three and one half inches in thickness and average 6 feet long and 8 inches in width.

   The boards were milled on four sides and then hand scraped to remove any imperfections left by the planer.

Gluing first boards

 Here five boards have been laminated together.   It is a slow process of adding one board at a time.

Gluing more boards

 Another layer of boards is glued onto the top of first set of boards to fill out the full dimensions of the figure.

Sanding bottom

   It is time to square off the end to create a flat bottom.

   The block is becoming too heavy to lift and move safely by myself, so I do the lifting with the gantry.

More boards

   Two more boards are added. This brings the total to 10 so far.

More gluing

   The last three boards are glued and clamped.

   The right side of the figure is holding the cross so numerous additional boards were added on this side.

The block

   Here is the six foot high block of wood with all the protruding parts of the figure, like the arm and cross, glued on.

Roughing out

   I began the roughing out process with the chain saw. The chain saw removes large areas of scrap wood to quickly get down to the profile.

Mark roughing out block

    Not wanting to take off too much too fast, I switched to the mallet and large gouge chisel. It is slower, but a more accurate way to remove material, and allows time to 'find the form' as I work.

Roughing in side view

    It is important to 'block in' the large basic shapes first and establish the dominant planes.

Roughing in

    I stop often to take careful measurements form the half-size maquette to make sure that the features fall in the right place.

Roughinhg out

    One of the first things I do is to establish the flat plane of the cross.

Mid-way

    After the large shapes have been roughly established, I can begin defining some of the larger details.

Mid-way front

    Folds in the clothing begin to appear along with other details, like the rope around the waist.

Mid-way left side

    The shape of the cross is defined. I am careful to keep checking the clay model for accurate measurements.

Measuring model

    The clay model is exactly half the size of the wood carving. I can make an accurate enlargement of the model by using proportional calipers which I have set at a ratio of 1:2.

    I take a measurement with the small end of the calipers of the head size of the model.

Transfer to sculpture

    I then go to the carving. With the calipers turned around to the larger end, I have an accurate two-time enlargement of the head size for the carving.

Carving and model

    By now all the scrap wood has been carved away. I am down to the actual surface of the figure and can begin carving in the details.

Face study

    I made an actual size (1:1 ratio) clay model of the head so that I can take accurate measurements when carving the face.

Carving and clay model

    Now that the large shapes and correct proportions have been established, I can begin putting in folds in the fabric, and shaping the face.

Sculpture and model

    I work on the hands and start to define the fish Along with measuring with the calipers, I also stand back and just measure by eye.

Near finished

    The sculpture is nearing completion.

Side view

    I begin putting in the final details.

Left side

    The focus now is on the texture for the surface finish.

Back view

    Time to remove the extra wood at the base that was left to stabilize the sculpture.

Finished carving

    The carving is complete.

finished carving front

    I sanded the face and hands in preparation for staining.

Detail of head

    I left chisel marks as texture on the rest of the figure and cross. Wood grain detail was carved into the cross.

Stained front
Stained left side
Side view

   Basswood is soft and absorbent, so I applied a wood conditioner to the wood before brushing on a Minwax stain. The next day I applied several coats of a wipe-on polyurethane finish, which gives a hand-rubbed semi-gloss finish.

Stained
Face detail
Stained
Statue installed

Saint Andrew statue installed

    A brief introduction about how to carve wood sculptures.    What wood to use, what tools are needed, and the techniques of how to carve wood.

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